“You often hear it said – “Time is on our side”. Well … This is Time. She is On My Side.” The Sixth Night of #NavRatri is dedicated to Ma as KaalRatri – the Blackest Night, the Night of Death, The Iron Night, The ‘Stillness’ of Time – and the ‘Destroyer of Darkness’, the Annihilator: … Continue reading KaalRatri – The Seventh Night of NavRatri; The Seventh of the NavaDurgas
Mahadeva
ChandraGhanta – Third of the NavaDurgas, The Third Night of NavRatri
The Third Night of #NavRatri is dedicated to Ma as ChandraGhanta – She Who Is Crowned With The Half-Moon In The Shape Of A Bell, to render it somewhat figuratively. Now, before going further (and for that matter, picking up the narrative thread where we left off with last night’s Brahmacharini post), it is necessary … Continue reading ChandraGhanta – Third of the NavaDurgas, The Third Night of NavRatri
Brahmacharini – The Second of the NavaDurgas, The Second Night of NavRatri
The Second Night of #NavRatri is dedicated to Ma as Brahmacharini – the Seeker of the Absolute. This is a rather direct rendering of Her theonym, as can be seen from the constituent parts: Brahman, and Charya (Charini is the feminine form of this noun). But what is actually meant by these terms, and what … Continue reading Brahmacharini – The Second of the NavaDurgas, The Second Night of NavRatri
Shailaputri – First of the NavaDurga
The first night of NavRatri is dedicated to Ma as Shailaputri – the Daughter of the Mountain. As noted in the introductory piece, the Mountain in question refers to King Himavat – the Lord of the Himalayas, and the father of Parvati [‘[Daughter] Of the Mountain’] in this particular cycle of Her incarnation. However, I … Continue reading Shailaputri – First of the NavaDurga
The “Buddhist” Coin Of Tilya Tepe – Arte-Facts #3
I've had this coin in my head for awhile now - and it seemed rather appropriate to post for a Wednesday. It's another of the artefacts from the justifiably famed Tilya Tepe burial-site in northern Afghanistan; a roughly two millennia old set of seven graves that are likely of Scythian origin, rediscovered in 1978. But … Continue reading The “Buddhist” Coin Of Tilya Tepe – Arte-Facts #3
JAI MAHAKAAL On Moon-Day
JAI MAHAKAAL MAHAKAALSMRITI REMEMBER DEATH IT IS MONDAY, THEREFORE - GLORIOUS (MODERN) SHIVA (A)ART(I) As a brief point of explication ... Kaal (काल)is one of my favourite words in any language. For it simultaneously means BLACK, TIME, DEATH, DESTINY/FATE [and also Iron, and also the pupil of the eye - which, as you'll note here, … Continue reading JAI MAHAKAAL On Moon-Day
‘Time And I Against Any Other Two’ – an Indo-European analysis of a maxim.
There is an aphorism of the great Baltasar Gracian which I have been turning over in my mind a fair bit this week. Not least because, upon closer inspection there's some *strongly* Indo-European [and, although Gracian could not possibly have known it, Shaivite - Shakta] subtext immanent within it. I shall not repeat it in full … Continue reading ‘Time And I Against Any Other Two’ – an Indo-European analysis of a maxim.
“Spend It Well”
"The coin in question, if you were wondering, is a Kushan minting from the reign of King Vasudeva, also a Hindu convert. Depicted on the right is Shiva with Nandi, and on the left, 'Oesho' - "Ishvara" ['God-Emperor'], another Epithet [and cosmological Function] of Mahadev, although also possibly [contingent upon which etymological theorizing we are … Continue reading “Spend It Well”
HANUMAN JAYANTI
Today [yesterday for those of us to the west of the International Date Line] is an important religious observance, commemorating the triumph of an incarnate-and-born form of Deus Pater - sent from on high to help out Mankind (particularly via severance of the chains of sin upon the soul) in fulfilment of a covenant made … Continue reading HANUMAN JAYANTI
arya-akasha 