An incredible rendition from H.C. for Arya Akasha. Now, to explain what is going on in the scene: I had told him of one of my favourite Vedic myths - and its tangible, practical applications via the principle of Eliadian Eternal Return. That is to say - how the myth is weaponized in order to … Continue reading The Art Of Weaponized Myth
Symbolism
The Birds Of The Sky Father
If you asked somebody what Birds they'd associate with Odin, the answer would be very simple. Ravens. Corvids. Crows. And yet while that's absolutely correct - it's also rather incomplete. For you see, there's an entire suite of avians either directly or potentially associated with Odin - and which happen to work out rather strongly commensurate … Continue reading The Birds Of The Sky Father
Varahi, Freyja, Saraswati – The Boar of Battle and the Goddess
Art from the work-in-progress stage of a large SaptaMatrika piece by sivaneskumar0303 It is a well-known fact that within the realms of the Indo-European conceptual syllabary, the Boar has a prominent place as a martial signifier. It stands for a place of honour - of formidable potency upon the field of war. We find particular … Continue reading Varahi, Freyja, Saraswati – The Boar of Battle and the Goddess
Ravens For Rudra ?
It is interesting how things work out. We have known for some time now that Lord Shiva and Odin are the same deific - expressed prominently to two broad Indo-European mytho-religious sphere : the 'Vedic' and 'Eddic', we might say. We have spent much time over the past few years tracing out the various coterminities … Continue reading Ravens For Rudra ?
Mercury The Dog-Headed
It is Wednesday … and it's also November. So therefore, here's Mercury, heralding November. For Dies Mercurii, you understand. Now there's something a bit different about this depiction - the fact that Mercury is, here, a cynocephal … a 'dog-headed' figure (which I suppose would render the apt Old Norse translation for 'Cynocephalic' as 'Ulfhednar'). … Continue reading Mercury The Dog-Headed
Some Brief Points On The Vajra
Earlier, we had a question to the page around a seeming similarity between a Thunderbolt carried by a Roman deific statue - and the famed Vajra so prominent in the Hindu (and Buddhist) sphere. Particularly, around whether what was seen in Hindu art had some deliberate iconographic coterminity with the Trishula (Trident). As applies the … Continue reading Some Brief Points On The Vajra
Dhumavati As Bride At The Dawn Of Creation – A Visage Less Commonly Depicted
Today is Friday - Devi's Day And so therefore, in-line with last week : fine Dhumavati (A)Art-i post. As you can see, #CorvidGang is well represented here - apt for the Goddess Whose Animal Is The Crow Interestingly, this particular Dhumavati depiction is in red - and various accouterments one ought expect for a Bride. … Continue reading Dhumavati As Bride At The Dawn Of Creation – A Visage Less Commonly Depicted
Ganesh Gets In Everywhere – The Ganesha Of Endere In The Taklamakan For Ganesh Chaturthi
Tonight marks the first night of Ganesh Chaturthi - and so therefore, some rather amazing art one and a half millennia ancient from the Khotanese Saka ( Scythian ) settlement of Endere, in the Taklamakan Desert of Western China. Why? Well, partially it is because this piece has been on my mind recently and I … Continue reading Ganesh Gets In Everywhere – The Ganesha Of Endere In The Taklamakan For Ganesh Chaturthi
Sirius In Central Asia – Soma, Tisya, Tishtrya, Rudra
It is Wednesday - Odin's Day - and so therefore, as has become our custom, some fine devotional (a)art-i. Except this exquisite piece is not from the Northlands of Scandinavia - rather, its provenance is that most mysterious of Indo-European lands … far-flung Central Asia. Khotan, amidst the deserts and mountains fringing China's western edge in … Continue reading Sirius In Central Asia – Soma, Tisya, Tishtrya, Rudra
On Indo-European Nana
It is Friday - Devi's Day. And therefore … a most beautiful silver depiction from Chorasmia, in the heart of Central Asia. And one which, as per usual, I am going to take a completely different view of as compared to much of academia. Now, this style of depiction is not exclusively Chorasmian - far … Continue reading On Indo-European Nana