Varahi, Freyja, Saraswati – The Boar of Battle and the Goddess

Art from the work-in-progress stage of a large SaptaMatrika piece by sivaneskumar0303 It is a well-known fact that within the realms of the Indo-European conceptual syllabary, the Boar has a prominent place as a martial signifier. It stands for a place of honour - of formidable potency upon the field of war. We find particular … Continue reading Varahi, Freyja, Saraswati – The Boar of Battle and the Goddess

Dhumavati As Bride At The Dawn Of Creation – A Visage Less Commonly Depicted

Today is Friday - Devi's Day And so therefore, in-line with last week : fine Dhumavati (A)Art-i post. As you can see, #CorvidGang is well represented here - apt for the Goddess Whose Animal Is The Crow Interestingly, this particular Dhumavati depiction is in red - and various accouterments one ought expect for a Bride. … Continue reading Dhumavati As Bride At The Dawn Of Creation – A Visage Less Commonly Depicted

Ganesh Gets In Everywhere – The Ganesha Of Endere In The Taklamakan For Ganesh Chaturthi

Tonight marks the first night of Ganesh Chaturthi - and so therefore, some rather amazing art one and a half millennia ancient from the Khotanese Saka ( Scythian ) settlement of Endere, in the Taklamakan Desert of Western China. Why? Well, partially it is because this piece has been on my mind recently and I … Continue reading Ganesh Gets In Everywhere – The Ganesha Of Endere In The Taklamakan For Ganesh Chaturthi

Sirius In Central Asia – Soma, Tisya, Tishtrya, Rudra

It is Wednesday - Odin's Day - and so therefore, as has become our custom, some fine devotional (a)art-i.  Except this exquisite piece is not from the Northlands of Scandinavia - rather, its provenance is that most mysterious of Indo-European lands … far-flung Central Asia. Khotan, amidst the deserts and mountains fringing China's western edge in … Continue reading Sirius In Central Asia – Soma, Tisya, Tishtrya, Rudra