Now *this* is interesting - quite a familiar shape, you'll see the various Christian depictions of St George engaged in a spot of dragon-slaying, for instance. However, what's depicted here is Bellerophon (mounted upon Pegasus) slaying the Chimaera, from a floor mosaic on Rhodes, circa 300-270 BC. I am not saying that various much more … Continue reading On Bellerophon – Echoes Of A Coronation Rite And Slayer Of The Demon Of Enclosure ?
Demon-Slaying For Fun And Prophet
The Vitality of the Universe Entire – On MahaGauri, SiddhiDhatri, and Demeter
The Eighth Night of #NavRatri is dedicated to MahaGauri - The Great Beauty, The 'Great White One' ; The Ninth Night of NavRatri, to Siddhidhatri - the Bestower of Boons, The Giver of Empowerment. Both because I am rather late in my finishing of this piece - but also due to a certain underlying thematic unity ... … Continue reading The Vitality of the Universe Entire – On MahaGauri, SiddhiDhatri, and Demeter
KalaRatri for Chaitra Navratri – The Black Night of Unveiling, The Night of Death
The Seventh Night of #NavRatri is dedicated to Kalaratri - The Night of Death, the Blackest Night, the Darkness at the End of Time Herself ! And yet, as has become something of our theme whenever we discuss the Devi - we are vehement in pointing out that this is only one side to Her, … Continue reading KalaRatri for Chaitra Navratri – The Black Night of Unveiling, The Night of Death
Katyayani for Chaitra Navratri – MahishasuraMardini (The Destroyer of the Demon) Herself
The Sixth Night of #NavRatri is dedicated to Ma as Katyayani - in many ways, perhaps the most iconic understanding for Devi amidst the modern Hindusphere. When we think of Durga - this tends to be Whom we are praising. For She is MahishasuraMardini - The Destroyer of the Buffalo-Demon - Herself ! However, as … Continue reading Katyayani for Chaitra Navratri – MahishasuraMardini (The Destroyer of the Demon) Herself
Skandamata for Chaitra Navratri – Mother of The Assault
The Fifth Night of #NavRatri is dedicated to Ma as Skandamata Now as one might presume - She is the Mother (Mata) of Lord Skanda, one of our … many War Gods. Takes after His Mother in that regard! The story of Skanda's conception and birth is perhaps a bit of a curious one - … Continue reading Skandamata for Chaitra Navratri – Mother of The Assault
Chandraghanta for Chaitra Navratri – Radiancy of the Foe-Destroying Splendorous Moon
The Third Night of #NavRatri is dedicated to Ma as Chandraghanta - which we might directly translate as 'Moon Bell', although this does not *quite* capture the true sense of the latter term's meaning. Now a Ghanta, for us, is a bell. Particularly of the sort rung during religious purposes. The sense is not merely … Continue reading Chandraghanta for Chaitra Navratri – Radiancy of the Foe-Destroying Splendorous Moon
The Art Of Weaponized Myth
An incredible rendition from H.C. for Arya Akasha. Now, to explain what is going on in the scene: I had told him of one of my favourite Vedic myths - and its tangible, practical applications via the principle of Eliadian Eternal Return. That is to say - how the myth is weaponized in order to … Continue reading The Art Of Weaponized Myth
Varahi, Freyja, Saraswati – The Boar of Battle and the Goddess
Art from the work-in-progress stage of a large SaptaMatrika piece by sivaneskumar0303 It is a well-known fact that within the realms of the Indo-European conceptual syllabary, the Boar has a prominent place as a martial signifier. It stands for a place of honour - of formidable potency upon the field of war. We find particular … Continue reading Varahi, Freyja, Saraswati – The Boar of Battle and the Goddess
Brihaspati – The Lord of the Songs of Prayer
Today is Thursday - Jupiter's Day, the Day of Brihaspati. So therefore … some rather modern art of Brihaspati - also known as 'Guru', and yes in astrological terms linked to the Planet Jupiter. Now in Vedic terms, Brihaspati is an interesting figure. The name, effectively, means the 'Lord of the Songs of Prayer'. However … Continue reading Brihaspati – The Lord of the Songs of Prayer
In Honour Of The BanaLingam Upon The Occasion Of Its Arrival – The Living Altar Of Narmada That Is Shakti & Shiva Rightfully Conjoined
We have attained the BanaLinga ! Yet what is this mighty stone, inset within a shining Yoni of Silver ? The easiest way to explicate it is to start with the very basic and work our way up from there. At its core, a ShivLing is an 'aniconic' embodiment of the Lord Shiva. It may also … Continue reading In Honour Of The BanaLingam Upon The Occasion Of Its Arrival – The Living Altar Of Narmada That Is Shakti & Shiva Rightfully Conjoined